“Don’t make a sound”? Ironically, one of the most effective ways to sneak into a computer system is by making a sound.
To open the “third ear”, as she called it, all of these components had to be exact to her specifications, without compromise.
UPA alumni and upcoming DJ’s DJ, Sabine Blaizin is blazing through New York city’s nightclubs, bringing the African diaspora to the masses in the form of addictive and soulful dance music.
The sound designer shares her unique journey through sound design for children’s media and education.
The rising star of dissonant beats shares his thoughts on sound, nightlife, being a New Yorker and why alchemy rules.
The pioneers behind Portland based label ZamZam talk about keeping dub music alive and on schedule.
One of the most important and prolific electronic music producers working today, AGF talks about her extensive work in sound, language and social activism.
Ed will be a lecturer on audio enhancement at this year’s UPA Sound Design Career Development Program.
A specific workflow from Todd Krupa, underscoring the similarity between Synthesis and Sampling methods.
Tracing the signal flow commonly found in Synthesizers, to get an overview of how to study them.
Raz Mesinai demonstrating extended manipulations for acoustic piano. Digital deconstruction ensues.